Studie of Anti-Atlas bracelet on the chikhates of Tiznit, photography Jean BESANCENOT, 1934-1937
This project is supported by le Fonds de Dotation Maison Mode Méditerranée.
Amazigh woman
Jean Besancenot, 1934-1937
Berber jewelry, 2022
Traditionnal berber veil, 2022
Polychrom embroideries from Rabat
Traditionnal berber veil, 2022
According to the covid, the digital sessions and finally the meeting, Angeline Dangelser, fashion designer and speaker, piloted this project on site and accompanied the students with energy.
The one they would keep and want to wear.
It was for everyone to transpose this finery on the same neutral garment, sometimes unisex, the shirt.
It is a balance between modernity and tradition: finding their own concepts rooted in their time and materializing it on an embroidered shirt. From research to experimentation, the aim was to make students aware of know-how, to promote their local cultures and to give a glimpse of the potential of craftsmanship in the face of the imperative of industrialization.
Centre de l'Anti-Atlas. Sur cette femme berbère, les boucles d'oreilles niellées à cabochons de pierre rouges. Photographies de Jean BESANCENOT, 1934-1937
Student: Zakaria Alam
Description: ”Heart Beating”
Techniques: Sfifa (gallon), aqad, khmisa,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock
Student: Zakaria Alam
Description: ”Heart Beating”
Techniques: Sfifa (gallon), aqad, khmisa,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock
Director: Ricardo Sumbo
Description: “Nina's 7 Days of Wedding”
Techniques: Rabat point in blue color,
Fès point in orange color, outline in gray base point,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock
Director: Ricardo Sumbo
Description: “Nina's 7 Days of Wedding”
Techniques: Rabat point in blue color,
Fès point in orange color, outline in gray base point,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock
A true Moroccan institution, the Fashion Academy has been the result since 2009 of a public/private partnership between the Moroccan Association of Textile and Clothing Industries - "AMITH" - and the Kingdom of Morocco. The school places the company at the heart of its pedagogy to provide creative human resources, capable of meeting the challenge of industrial development.
Created by the pioneer Jamila Mernissi Bouayad in the year 2000, the Itqane association aims to facilitate the professional integration of women, and promote their empowerment through the promotion of traditional trades. It has supported more than 6,000 beneficiaries across Morocco, all of whom are now independent. Jamila knows the most hidden secrets of each point and each region. It is a dynamic encyclopedia of Moroccan embroidery which is committed to perpetuating this know-how by promoting women.
Studie of Anti-Atlas bracelet on the chikhates of Tiznit, photography Jean BESANCENOT, 1934-1937
This project is supported by le Fonds de Dotation Maison Mode Méditerranée.
Jean Besancenot, 1934-1937
Berber jewelry, 2022
Traditionnal berber veil, 2022
Polychrom embroideries from Rabat
Traditionnal berber veil, 2022
Amazigh woman
According to the covid, the digital sessions and finally the meeting, Angeline Dangelser, fashion designer and speaker, piloted this project on site and accompanied the students with energy.
The one they would keep and want to wear.
It was for everyone to transpose this finery on the same neutral garment, sometimes unisex, the shirt.
It is a balance between modernity and tradition: finding their own concepts rooted in their time and materializing it on an embroidered shirt. From research to experimentation, the aim was to make students aware of know-how, to promote their local cultures and to give a glimpse of the potential of craftsmanship in the face of the imperative of industrialization.
Centre de l'Anti-Atlas. Sur cette femme berbère, les boucles d'oreilles niellées à cabochons de pierre rouges. Photographies de Jean BESANCENOT, 1934-1937
Student: Zakaria Alam
Description: ”Heart Beating”
Techniques: Sfifa (gallon), aqad, khmisa,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock
Student: Zakaria Alam
Description: ”Heart Beating”
Techniques: Sfifa (gallon), aqad, khmisa,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock
Director: Ricardo Sumbo
Description: “Nina's 7 Days of Wedding”
Techniques: Rabat point in blue color,
Fès point in orange color, outline in gray base point,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock
Director: Ricardo Sumbo
Description: “Nina's 7 Days of Wedding”
Techniques: Rabat point in blue color,
Fès point in orange color, outline in gray base point,
embroidered by Laila Aboulaz of the Itqane association
Material: Linen Deadstock